jascka wrote:Ok!, There is a shorter version of the song, maybe as a promo. So, does she play the almost 8 minutes version on the tour, the album's version, isn't it? She had to play it very similar, I suppose...
The answer is No. As many times that Vanessa-Mae has played Toccata & Fugue, she's never performed the original unedited version seen on the Violin Player. Toccata and Fugue happens to be one of my favorite songs, especially Mike Batt's version on TVP album.
This is one of my misgivings about the concert arrangements of T & F. The 5 min version is the closest you'll get to the album version, but still it doesn't have the "fugue" part, with the violin "dueling" with the electric guitar, then later joined by other instruments.
My second misgiving is, 98% of the time, she performs this song with her electric violin, but really, her Guad sounds the best and adds color to the song. Also, like Red Hot (which I'll get to in a minute), she doesn't play the song the same way she does on the album. Now all musicians ad-lib, but usually when Vanessa Mae adlibs, it usually involves omitting certain notes, which sorta detracts from the song. I never understood why she does this. I don't mind playing it a different way, but omitting notes?
Which brings me to Red Hot. My biggest beef ever with Vanessa-Mae is how she performs this long live. Now here, I must admit; she did WRITE this song, so I really have no right to say how it should be performed. But at the same time, how she originally wrote it is very, very, very, good. But again, in concerts, she omits notes that really takes away some of the character from the song. To people who aren't violinists, these little "ad-libs" wouldn't be noticeable; unfortunately, it is to me.
I'm glad she got away from miming in her own concerts, for which if she was ever caught, it could be very, very, bad publicity (see: Ashlee Simpson). I also like the fact that she uses her acoustic violin more.
All in all, I wouldn't bet on a DVD release. Much to my dismay, her promotion under Sony is no better than when she was at EMI. Several TV shows, even some here in the U.S. where Vanessa is not that famous, have a hard time finding her to book an interview/short concert. Her website, besides some tour dates, haven't been updated in over a year. I, for one, think that Vanessa could succeed in the U.S. because she's unique, but finding the right producer and the right promotoer is the key.
I'm not at all surprised Choreography wasn't released in the U.S. It would have totally flopped, especially since Vanessa-Mae hasn't played a concert in the U.S. in several years. However, Vanessa begins working on a new album starting next year, perhaps Americans like me might get a glimpse of her here in the U.S. in 2006 or 2007. But I'm not holding my breath ...