Consequence 1/2, "Kreisler, Heifetz" The two-piece documentation over star the violin loads to a unique rundgang by the interpretation history of this instrument. Starsolisten from today report on their models. Thus, under others, Itzhak Perlman, Hilary cock and IDA Haendel come to word. Numerous, partly archives photographs ever not shown illustrate stories, which tell them. The violin is probably the most difficult and simultaneous one of the most spectacular instruments of the abendlaendischen music. Virtuosen, which can express also still their personal, unmistakable style, are rare. The two-piece documentation over star the violin loads to a unique rundgang by the interpretation history of this instrument. Starsolisten from today report on their models. Thus, under others, Itzhak Perlman, Hilary cock and IDA Haendel come to word. Numerous, partly archives photographs ever not shown illustrate stories, which tell them. Kreisler, Heifetz Paganini and its almost daemonisches play represent a turning point in the history of the violin. After Paganini - at least in the classical period - differently violin is played than before. Itzhak Perlman reports on Kreislers elegance and the heroischen play of Jascha Heifetz; Hilary cock speaks of Ginette Neveu and Nathan Milstein. Zino Francescatti tells about its life. The documentation presents among other things cutouts out: - David Oiestrakh, Moscow, Mendelssohn, concert OI. 64, 1958. - Yehudi, Berlin 1963, Mozart, Konzert K216 - the Suite of Mendelssohn, interprets Monte Carlo, 1979, from Nathan Milstein, Stockholm, 1966, from Yehudi, from Arthur Grumiaux, Nizza, 1961, from Jascha Heifetz, 1952 and Mischa Elman, London, 1962.
The russian method for playing the relaxed, natural, comfortable solid stile for playing violin, that would last forever
Vanessa-Mae, The Neoclassic Violin Wizard